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What's in my gig bag? (Or at least, what was in my gig bag when I filmed this video...haha!) Watch the video below the break to see!
Now, I don't have the world's largest music studio by any means. I don't think I really want that. I'm learning that bigger isn't necessarily better, but bills have gotta be paid, amiright? Plus, there are some really cool potential students out there, & you probably want to spread your love of music!
Are you looking to build your studio? Here are 5 tips/ideas for building your music studio.
Hello there Fischarper readers! I recently shared a little about the FIscharper business on one of the About pages, so thought I'd also post it over here on the blog. Enjoy!
Ethics. Not just a class in college, but also a big reason that I enjoy running a business. As managing member of Fischarper, LLC, I have the responsibility & freedom to make the majority of business decisions. This includes marketing techniques, origin of products, language in blog posts, & more. (I’m definitely not saying I’m perfect!) Maybe this makes me sound like a bit of a control freak, but I’m choosing to look at it as passionate.
Running my business, I have the freedom to experiment and improve my business without the steps I’d need to go through in a big company. There’s also the added bonus/struggle of flexible hours!
So how did I end up doing this? I had a childhood dream to be a harpist, but I’m pretty sure I didn’t initially set out to run a business. Of course, the entrepreneurial boom that came with social media & easy internet access hadn’t happened yet (anybody else remember dial-up?). I’ve had multiple career aspirations, including (but not limited to): the queen (yes, I wanted to be the queen), college professor, & music teacher in an underprivileged area. I’m not totally sure how I ended up running a music biz, but it sure is cool!
The name Fischarper? I thought it was a combo of my last name, “Fischer” & “harper” (a harper is someone who plays a pedal-free harp), but apparently she just put the word “harp” in our last name. It was my mom’s 1st email address & she used the name for some of her business pursuits (like Making Harp Lessons Exciting For Young Children). Speaking of my mom, she is a lot of help with the business, & contributes a lot to the Fischarper TpT store. I “inherited” the name & now Fischarper is an LLC!
Questions? Offers to become royalty? ;) Contact me or tweet me!
Thanks for stopping by!
There you have it! Do you run a business? Or have dreams of running one? Please let me know on Instagram, Facebook, Twitter, or in the comments below!
I recently completed Harp Column's #30DayPracticeChallenge. I'm so glad I took on this challenge! Here are a few thoughts/reflections after completing it...
I got a cold & was a total wimp, so I took some days off between day 29 & day 30. Since completing it, I've kind of fallen off the band wagon, but should get back to daily practice (if only for the Instagram posts...haha)!
Did you do the #30DayPracticeChallenge? Let me know how it went on Instagram, Facebook, Twitter, or in the comments below!
Hello lovely readers! This week, I'll be highlighting a few of the Fischarper Teachers Pay Teachers resources available. Andddddd the profits from sales from the Fischarper TpT store (i.e. what I would get after fees, etc. are taken out; only purchases from the TpT store) through 10/7/17 (it's extended!) go to Samaritan's Purse Hurricane Relief. As I mentioned here, I've recently had the honor of volunteering with Samaritan's Purse. My family also received from post-Irma assistance from SP, and they did an AWESOME job! It is a great organization, helping many people through several different ministries (they do Operation Christmas Child), so be sure to check it out! You can also donate directly to Samaritan's Purse Hurricane Relief.
Ok, on to some Fischarper TpT highlights!
Which resources from the Fischarper TpT store are your favorite? Also, let me know your favorite volunteer experience (or where you would like to volunteer) in the comments below!
One of the last posts over at my old blog site (Practice Your Lasagnos) compared & contrasted lever & pedal harps. Thought I'd brush it off (figuratively, of course) & update/edit it a little to post over in this space. So, here it is!
There are different types of harps, but the most common in the U.S. are pedal harps and lever harps (even harps with no levers or pedals). Both pedal and pedal-free harps follow the same basic idea. Lever harps are not necessarily beginner harps and can be used by beginners and professionals alike. There are professional harpers (lever harp players) and professional harpists. Some people can move levers very impressively! Whether or not a student plans eventually like to add the pedal harp to his/her repertoire, a lever harp will be beneficial and a good basis. Both types of harps can be used to play a variety of genres. Lever harps tend to be more affordable and generally more portable. :)
Some websites I'd recommend perusing for harps and harp information are Virginia Harp Center, Lyon and Healy, Salvi, Camac, Sylvia Woods Harp Center, Harp Spectrum, and Harp Column. These sites should be a good start. :)
Exploring the music that is played on the various models can be useful and fun. Some harpists/harpers you might like to check out are Jakez François, Louise Trotter, Greg Buchanan, Deborah Hensen-Conant, Park Stickney, and Susann McDonald, and, of course, Harpo Marx. :)
If you're a harpist/harper, do you prefer playing pedal or pedal-free harps? Let me know in the comments! Or do you have any questions? Just leave 'em below!
P.S. The www.teacherspayteachers.com/Store/FischarperHalloween printable music activity packet is available in the Fischarper Teachers Pay Teachers store!
Well, I finally finished #100DaysOfFischarpArt a bit ago! You can read my earlier post about it here, but I decided to give the #100DayProject a bit of a more relaxed spin. I still aimed for 100 days, but if I skipped a day (or many days!), that was ok! Since I didn't stick to consecutive days, it of course took longer to complete.
I'm really glad I did it. If you're looking for a way to exercise your creative muscles, or even just want content for Instagram, this is a fun way to do it. It was a neat challenge to try to come up with 100 pieces of harp art, some simple, some more detailed.
If you'd like to try something similar, but don't want to commit to 100 days, Kiffanie is doing a similar project with her #52wackycakes, which is also cool! (While you're at it, check out her legal resources & blog....they are SO helpful!)
Have you tried the #100DayChallenge? Do you think you will? Be sure to share your hashtag in the comments so we can all check it out!
P.S. Have you seen this week's YouTube video? Don't miss the Blindfolded Harpist Challenge!
Happy Friday! And welcome to the first guest post on the Fischarper blog!
Below, you can find a great post from Molly Madden. I met Molly some years ago at the Illinois Summer Harp Class. We started chatting (errr...typing) about Molly guest posting for the blog, and I'm so glad that she agreed to it! Her post below is a wonderful complement to this blog.
Enjoy this cool glimpse into the life of an orchestral harpist and her music!
Music image via Pixabay.
There is a thank you note that I need to write, but I don’t know how to address it. It is a thank you to friends I have (likely) never met whose names I will (probably) never know. These friends of mine don’t know me, either, and they weren’t intending to help me, and yet through their efforts they have saved me hours of precious time and spared me from much potential embarrassment and frustration. So from the bottom of my heart, I thank you, nameless friends, fellow harpists, for the many helpful, clear, insightful, corrective, scholarly, creative, humorous, and oh-so-beautiful notes that you have left for me in my orchestra parts.
Professional orchestras often rent their sheet music. This means that the parts I receive in the orchestras I play with have passed through the hands of conceivably dozens of harpists before making their way to me. Occasionally I’ll receive a part that’s blank, either because it’s fresh, new, and untouched by harpist hands, or else because an orchestra librarian erased the markings before passing the parts along. A clean slate is nice in its own way, and I know many harpists prefer to write in their own markings, but my favorite parts are the ones that are old, worn, taped together, and–most pertinently–heavy with graphite assistance from fellow orchestral harpists around the world.
So, to you, friend: Thank you for your markings. Thank you for warning me that the conductor will probably switch into cut time at measure 25 and that I need to watch out for some gnarly rubato in the middle of my difficult solo. Thank you for being with me through hundreds of measures of rests with your invaluable play-by-play commentary so that I don’t get lost, and for pointing out the most obvious cues (“trumpets loud!” or “cymbal crash”) that let me know it’s time for my next entrance.
Thank you for your pedal markings and for your ingenious fingerings. You have come up with truly clever ways to make tricky passages manageable. When I never in a thousand years would have come up with a thumb slide in that one section, there you are, sliding away like a kid at the waterpark. When I would have tried for a jump, your wisdom and experience advise me that a turn-under would be more secure. When I would have been buzzing like an angry bee trying to play the same string too rapidly, you show me that I could use an enharmonic note to take the pressure off and let both strings ring a little more freely.
You’re also funny. Whether you’re pointing out that a passage in Mahler’s second symphony sounds just like Star Wars or drawing pictures for me in the margins, you always know how to make me laugh--sometimes during a rehearsal’s quietest moments.
Thank you for writing neatly (no easy feat on a music stand!). Thank you for putting in the hard work so that when I receive the music I can sit down and start practicing immediately. Thank you for warning me to put in earplugs, to listen for the flutes, to check the tuning on my high F#, to wait for the horns, to watch for the conductor to place that one beat, to bring out my right hand.
No, we haven’t always agreed, and you haven’t always been right, but I would be gravely remiss if I didn’t pause to reflect and acknowledge that I am a better musician... thanks to you.
Thank you for this great post, Molly! What a nice inaugural guest post!
Be sure to check out Molly's website here. Don't forget to pop over to her facebook, and tell her how much you loved her post!
If you're interested in guest posting in this corner of the web, just drop me a message and we can chat!
Super exciting news over here! Today is the public launch of my first ecourse, "Breezing Through Bass Clef"!!!!!
It's designed to help you look at bass clef in a new way. Bass clef seems to be more difficult for students to grasp than treble clef, and I want to help you breeze through it! If you're a teacher, this course might give you some ideas on a different way to approach bass clef. Or, you can send your students a link to sign up (or both!). If you're a student, this course can help you grasp bass clef. Either way, right now, it's free!
"Breezing Through Bass Clef" includes text-based lessons, worksheets, and quizzes, as well as comments sections in each module to encourage discussion and questions. It's a short course, so should be quite do-able without committing to a long-term project.
Please let me know what you think of the course in the comments and on social media. I'd love for you to share "Breezing Through Bass Clef" with your friends too!
Thanks a million!
Barbara Fischer runs Fischarper, LLC and loves her job as a harpist and private music educator. She enjoys blogging about various aspects of the music field on fischarper.com/blog. For more music resources, check out the Fischarper Teachers Pay Teachers Store and Making Harp Lessons Exciting For Young Children, written by Bambi Fischer (Barbara’s mom!) and revised and edited by Barbara. You can connect with Barbara all over the interwebs on Instagram, Facebook, Twitter, Pinterest, and YouTube. And you can sign up to receive Fischarper updates by joining the email list.
Writing a quick post to share the Fischarper Teachers Pay Teachers store! You can grab your free printable (this project) right now! The store is still in its beginning stages, but one of the things already posted is a Valentine's Day bundle tailored to harp teachers, but it can certainly be used for many types of educators.
There's a 20% off sale starting today (January 17, 2017) and ending Friday (January 20, 2017) on all the products in the Fischarper TpT store!
I'd love to hear what types of activities you would like to see!
*glitter in image from Pixabay
Barbara Fischer runs Fischarper, LLC and loves her job as a harpist and private music educator. She enjoys blogging about various aspects of the music field on fischarper.com/blog. For more music resources, check out the Fischarper Teachers Pay Teachers Store and Making Harp Lessons Exciting For Young Children, written by Bambi Fischer (Barbara’s mom!) and revised and edited by Barbara. You can connect with Barbara all over the interwebs on Instagram, Facebook, Twitter, Pinterest, and YouTube.
Welcome to the blog! I'm Barbara, and I work as a freelance harpist and private music educator. You can read my bio here. On the blog, you can find posts about various aspects of this career path, especially teaching and crafty stuff. Thank you for stopping by! I'd love to hear from you in the comments or on social media. And don't forget to subscribe to the email list for updates!
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Does bass clef wig you out? Try my free ecourse, "Breezing Through Bass Clef."
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